Señor Tango
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About
Every seat in the house offers a great view, but I think the best seat would be on the right center of the second floor. The dance stage is circular and the dancers are choreographed to provide great views for the entire audience, but the band plays facing the right center portion of the audience. The seats on the left of the tango house are probably the worst; also the front left corner can be uncomfortable because a spotlight from the opposite side shines on the dancers and can blind the guest in those seats.
The performance was absolutely amazing. The band was wonderful, the singers were great and the dancers were beautiful. It began with a man floating down from the ceiling to land in the arms of a gorgeous woman. They danced to a popular tango song, then disappeared. Next, horses were marched onto stage and a traditional song of the Native Americans was played. The show seemed to be going through the ages, because after the native song we were delighted by some local folk music and dancers. It was a little like swing dancing, but a less flashy. In-between each dance performance there was either a singer or a song played by the band. There was a short flamenco piece then the rest of the evening was a variety of tango dances. Each dance made me want to go out and start taking lessons.
The tango performances were absolutely stunning. The ladies were gorgeous and the men were in perfect shape. I loved the slow sensual dances that only featured one couple at a time. I couldn't believe the dresses on the women! Long evening wear, with daringly high slits, and neck lines that plunged down to their waist-lines. Those thin bodies covered in nothing but black silk and fishnet combined with interlocking legs made me think I was at a high class exotic dance club, instead of a family-friendly dinner show.
After several minutes of intense and slow dancing, the music would speed up and about a dozen dancers would fly onto the floor. They would all whirl around each other so fast it was hard for my eyes to keep up. At times they were all synchronized and perfectly spaced to form a circle, then they would fall back and allow one couple to take the spot light. My head began to spin from all of the movement, then a girl would be raised into the air, pulled by two invisible ropes.
The performance ended with a song made famous by the movie Evita, "Don't Cry For Me, Argentina". It was sung in both Spanish and English, and all of the performers gathered on stage to spin blue and white streamers into the Argentinean Flag. When the sparkling confetti fluttered down over the dancers the crowd could no long contain their excitement and joined in, singing in which ever language they felt more comfortable.
How to get there
Address: Vieytes 1655, Barracas - Ciudad Autónoma de Buenos Aires Argentina
Tel (54-11) 4303-0231
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